I really like this one, mostly because of how funny it is. I enjoy that it is slightly longer than the previous three we have read, even being divided into sub-chapters. The narrator has that same obsessive drive toward the macabre as St John & Co, with that same slightly unhinged edge which escalates as the story develops. He's not interested in
robbing graves, but he will dig them up with furious abandon to uncover the secrets of the "grotesque and the terrible", in his manic pursuit of "strange horrors". He strikes me as something of a self-appointed ghost-buster or private eye who specialises in the paranormal. He's the sort of guy you'd send in to investigate the aftermath of other Lovecraft stories. It would be amusing to see a story where he's called in to investigate the deaths of St John and his friend, or the Dutch thieves in Rotterdam. Not that he'd ever want to have anything to do with the Dutch again...
This is the second of three tales where Lovecraft makes very clear his absolute
loathing of the Dutch. So far, we know that Dutch people in Holland are thieves, but Dutch people in America, who "penetrate" that great land only "feebly" and "transiently", either become degenerate squatters at best (as opposed to "normal persons" who would never go to the Catskill mountains unless they're looking for horror), or mutant white-haired monkey-men at worst. Cultural and biological degeneration is the natural result, in Lovecraft's mind, of not being English and/or living in rural areas, but this particularly extreme case is the consequence of committing the worst possible crime in Lovecraft's mind: not being English and also
hating the English! That is the true horror above all horrors. Actually, that's not quite true. Only one thing is worse than not being English and hating the English: being
Dutch and hating the English. The Dutch; those nameless blights of outer voids whose faint daemon scratchings we sometimes hear on the farthest rim of space! He can only sleep at night after the entire mountain on which they used to live is destroyed by dynamite, in the hope that the remnants of their decaying civilisation are "exterminated"!
Going back to the narrator, despite his claims of being a "connoisseur of horrors", he has an incredibly ham-fisted and haphazard approach to investigating this case. His highly sophisticated plan is to camp out in the bedroom of a murdered aristocrat in a haunted house, with rope-ladders hanging out of the window and guns at the ready. Only when his two muscular buddies are killed after they all fall asleep in the same bed (
) does he actually do some proper research of the place with the help of a journalist.
After said journalist is also killed, our narrator loses his mind (understandably at this stage). Later on, when it finally dawns on him what might be going on, he describes himself as
running, spade in hand; a hideous run across moon-litten, mound-marked meadows and through diseased, precipitous abysses of haunted hillside forest; leaping, screaming, panting, bounding toward the terrible Martense mansion
Then, when he finally gets an opportunity, he TRIUMPHANTLY shoots a straggler of those cursed Dutch monkeys! Ah! The sweet satisfaction of murdering uglier and lesser forms of life! I am surprised he used his gun instead of his shovel, like that other guy with the vulture.
Yeah... actually, this is the last person you'd send in to investigate the aftermath of a Lovecraft story. He'd make a total blunder of it!
Did you notice the narrator ends up like Thurber from
Pickman's Model -- phobic about wells and subways? I wonder if HPL was phobic about underground places himself, and the potential horrors that could lurk down there. Each story we have read so far involves an underground lair of some sort, where dark, hideous and abnormal things dwell and fester. Notice he needs medicinal help sleeping now because of the fear of what might be down there. We will return to this theme. Some horror connoisseur he is, eh?
Also, do you notice here Lovecraft's total disgust of organic matter, and the potential varieties and possibilities of what could happen to it if not kept in check by the rigours of English civilisation? Even the trees and plants that grow in Dutch areas are vile to him. I start to wonder if the narrator's murder of the ape-man here, and the narrator of
The Hound's murder of the vulture at the graveside, is really an outpouring of the utter hatred and disgust that HPL felt toward what he perceived as the chaos of the untamed natural world.
The purple prose is pretty wild in this tale; almost as wild as the exessive thunder that ravages Tempest Mountain, and as bloated and over-nourished as the descriptions of the overgrown vegetation it is so often employed to describe! However, that's all part and parcel of a classic Lovecraft tale; it wouldn't be the same without it!
One particular phrase which has stuck with me over the years is this:
a wolf-fanged ghost that rode the midnight lightning
Once again, the first time I read this tale, many years ago, I did not see what was coming and I was just as perplexed by the goings on as the narrator. For some reason that particular line stuck in my head and even after I reached the conclusion and learned what the Lurking Fear actually was, in my memory I muddled things up and somehow always remebered this tale as being about creatures that could travel via lightning. The same year (2005) I watched
War of the Worlds where I believe the aliens do actually travel into their underground tripods via lightning bolts, and somehow I confused these two stories and couldn't remember which one involved something that "rode the lightning".
So what did you guys think of this story?